Badaboum Paris isn’t just another club. It’s the place where the city’s pulse gets louder after midnight. If you’re wondering what’s happening this weekend at Badaboum, you’re not just looking for a party-you’re looking for a vibe that only this spot delivers. And it’s not just about who’s spinning. It’s about the energy, the crowd, the sound, and the way the lights hit the ceiling when the bass drops.
What’s Playing at Badaboum This Weekend?
This Friday, the main room kicks off with Badaboum Paris’s resident DJ, Julien Moreau, mixing deep house with a touch of French techno. He’s been holding down the Friday slots for over three years now, and his sets are built for slow burns-starting smooth, building tension, and exploding into something you feel in your chest by 2 a.m.
Saturday is the big one. Amelia Voss, a Berlin-based producer known for her raw, analog-driven sets, headlines. She’s played at Berghain, Panorama Bar, and now she’s here. Her set runs from 11 p.m. to 4 a.m., and she doesn’t play tracks-you’ll hear loops, glitches, and live modulations that change with the room. No two sets are the same. That’s why people show up early. Doors open at 10 p.m., but regulars start lining up by 9:30.
Sunday is the hidden gem. It’s not a big name, but it’s the most authentic. Le Dimanche Bas is a low-key, no-frills, all-vinyl session. DJs dig through crates of 70s disco, obscure French pop, and forgotten Italo-disco. It’s the kind of night where you’ll hear a track you haven’t heard since your cousin’s basement party in 2008. The crowd? Mostly locals, artists, and people who don’t care about being seen-they care about being felt.
Who’s Going?
The crowd at Badaboum shifts with the night. Friday is a mix: tourists who’ve heard it’s "the real Paris nightlife," locals in black turtlenecks, and a few fashion designers who treat it like a networking event. Saturday draws a different energy-more international, more intense. You’ll spot people from Tokyo, São Paulo, and London who fly in just for this one night. Sunday? That’s where the real regulars live. People who’ve been coming since 2019. The ones who know the bartender by name and can tell you which corner of the dance floor has the best bass response.
There’s no dress code, but there’s an unspoken rule: no logo tees, no sneakers with socks, no tourist hats. You don’t need to look expensive-you just need to look like you belong. The lighting is low, the music is loud, and the vibe is quiet. People don’t scream over the music. They move with it.
What to Expect When You Arrive
You walk in and the air smells like sweat, incense, and old vinyl. The bar doesn’t take cards. Cash only. That’s intentional. It keeps the crowd real. A cocktail costs €14. A beer is €8. You can’t get a vodka soda with glitter. You won’t find a selfie stick. There’s no VIP section. No bottle service. No bouncers checking your Instagram. If you’re here for the exclusivity, you’re in the wrong place.
The sound system? It’s a modified Funktion-One setup, custom-tuned by the club’s founder, who used to work at a studio in Lyon. It’s not the biggest system in Paris, but it’s the most precise. You hear every hi-hat, every bass thump, every breath between the notes. People say you can feel the kick drum in your teeth. It’s not hyperbole.
The dance floor is small-barely 200 people fit comfortably. That’s the point. It’s intimate. You’ll be shoulder to shoulder with someone you’ve never met, and by the end of the night, you’ll both be smiling for the same reason: the music took you somewhere else.
How to Get In
Entry is free before midnight. After that, it’s €15. No reservations. No list. No app. Just show up. The line moves fast if you’re dressed right and calm. If you’re arguing with the bouncer, you’re already out. They don’t care if you’re famous. They care if you’re cool.
Pro tip: If you’re coming from the city center, take the metro to République. It’s a 12-minute walk. Taxis drop people off at the corner of Rue de la Roquette and Rue de la Folie-Méricourt. Don’t try to park. There’s no parking. And if you’re driving from outside Paris? Don’t. You’ll regret it.
When to Leave
Badaboum closes at 5 a.m. sharp. No extensions. No last call. The lights come on, the music fades, and the crowd files out quietly. No screaming. No chaos. Just people walking home, still humming the last track.
There’s a 24-hour boulangerie two blocks away. Get a croissant. Drink a coffee. Sit on the bench. You’ll see people who were dancing with you an hour ago, now reading the paper. That’s Badaboum. It doesn’t end with a bang. It ends with a sigh.
Why It Still Matters
Paris has hundreds of clubs. Some are bigger. Some are flashier. Some have rooftop views. But Badaboum is the one that remembers what clubs used to be: places where music matters more than the logo on your shirt. Where you don’t need to be seen-you just need to feel something.
This weekend, if you want to hear something real, if you want to dance without a camera in your face, if you want to be part of a crowd that doesn’t care about trends-then Badaboum is still the answer.
Is Badaboum Paris open every weekend?
Yes, Badaboum is open Friday through Sunday every week. It’s closed Monday through Thursday. The schedule changes slightly each month, but Friday and Saturday are always the main nights. Sunday is the quietest but often the most rewarding.
Do I need to book tickets in advance?
No. Badaboum doesn’t take reservations or sell tickets online. Entry is first come, first served. Free before midnight, €15 after. Just show up. If you’re told otherwise, it’s a scam.
What’s the best night to go?
Saturday is the biggest night with the biggest names, but Sunday is where the real music lovers go. If you want to see a world-class DJ, go Saturday. If you want to hear music you won’t find anywhere else, go Sunday. Friday is a solid middle ground-good energy, no crowds.
Is Badaboum Paris safe?
Yes. The club has a low-key, respectful vibe. Security is present but not aggressive. They don’t tolerate drugs, violence, or harassment. Most people leave on their own terms. If you’re sober, respectful, and dressed appropriately, you’ll be fine.
Can I take photos inside?
Technically, yes-but no one does. The club doesn’t ban phones, but the culture discourages it. Flash photography, selfies, and livestreaming are frowned upon. People go to be present, not to post. If you’re there to document the night, you’re missing the point.
What time does the music start?
Doors open at 10 p.m. Friday and Saturday. The first DJ usually starts between 10:30 and 11 p.m. Sunday starts a bit later-around 11 p.m.-because the crowd is smaller and the vibe is slower. Don’t expect music before 10:30 p.m.
Is there a coat check?
No. There’s no coat check, no lockers, no storage. Bring what you can carry. It’s part of the simplicity. If you’re carrying a big bag, you’ll be asked to leave it at the entrance. Keep it small.
Can I bring a guest?
Yes, but you don’t need to RSVP for them. Everyone enters individually. If you’re coming with someone, just show up together. The line moves fast. Don’t try to skip ahead.
showed up last saturday just for the vibe and honestly? best night of my life. no lights, no filters, just sweat and bass hitting your ribs like a heartbeat. i left at 4am and walked home smiling like an idiot. paris still got it.
okay but did you guys hear about the rumor that the sound system was stolen from a secret berlin lab and reassembled by a guy who used to work with berghain’s tech team? i heard he had to smuggle the speakers in through the sewers. no one talks about it but the regulars know. also, the bartender? he’s related to the founder’s ex-wife. that’s why he never smiles. it’s all connected.
sunday is the truth. no one there to be seen. just people who remember what music feels like. the track that played at 2:17am? i haven’t heard it since my uncle’s garage in 2005. i cried a little. no one noticed. perfect.
the fact that this place doesn’t take cards is a red flag. cash-only venues are often used to avoid financial tracking. combined with no cameras, no list, no reservations - this isn’t just a club. it’s a controlled environment. who funds this? who owns the sound system? why does no one ever talk about the founder’s past in lyon? someone’s hiding something. and the ‘no logo tees’ rule? that’s not a dress code - it’s a social filter. they’re curating a cult.
i went last month and honestly, the sunday vinyl set was underwhelming. the dj played three tracks by the same obscure french pop artist from 1982 - twice. and don’t get me started on the bar - €14 for a cocktail? in 2024? that’s criminal. and the crowd? so many people pretending they ‘don’t care about trends’ while wearing identical black turtlenecks from amiri. it’s not authenticity, it’s performative minimalism. the real badaboum died when they stopped letting in people who wore sneakers without socks.
there’s something sacred about a place that doesn’t ask you to be anything but present. no one’s judging your outfit, your accent, or your past. the music doesn’t care where you’re from. the bass doesn’t care if you’re rich or broke. you walk in as yourself and leave with a quiet piece of someone else’s soul. maybe that’s why it lasts. not because it’s cool - but because it’s kind. we forget that clubs used to be temples. badaboum still is.